Jose A. Soto was born in Mexico City in the year 1949.   Starts his education in schools devoted to Holy Mary where he gets in touch with the art world for the very first time.

 surprised by the beauty and the spiritual movement of this language he gets more involved in it, in such a way that he started other common activities in different  times and ages.   Inspired by his parents to finish his academic studies, he earns two professional titles, but that didn’t take him away from his personal activities: his willing to get deeper and deeper in the knowledge and perfection of the plastic arts.   At the end, those professional titles gave him the opportunity and necessary time to create a constant production of pieces in a specific field, the charcoal or carbon-pencil drawing.   This preference to charcoal was due to an incidental destiny when he got in his hands drawings from Saturnino Herran (known representer of mexican plastic) as an heritage of her grand mother, Dolores Soto Madiaraga. Both of them were Jose Maria Velasco's disciples at the same time and she became his most recognized follower or scholar because of her paintings quality and the preference he gave her in the San Carlos academy (Saturnino Herran and Jose Maria Velasco pieces of art are now considered national artistic and historic monuments).   Those drawings were the ones that seduce Jose A. Soto soul and it hasn’t stopped taking effect. In the beginnings of the 70s he married Guadalupe, woman with a lot of sensibility and art knowledge, who supports and encourages him to project himself in a more serious and professional way to rescue the value, plasticity and beauty that offers this charcoal style, and take it this way to its maximum expression.

 Within time and penetrating in the professional field of art and, because of its similarity in the technical management he crosses to the world of painting with the pastel technique with the very end to achieve the level accomplished with charcoal.

 He has done expositions since 1975 for different galleries, culture houses and museums in several cities within Mexico and his work has reached beyond in other countries.

 He has done different studies in the subject of plastic arts in a self-taught way, with private masters and has attended several free workshop courses but, more than that, for José A. Soto the best ways to learn to draw and paint are WATCH AND FEEL THE LIFE THAT SURROUNDS US, AND THE MUSEUMS WHERE SOMEONE CAN ANALIZE AND STUDY THE TECHNIQUES IN PIECES OF THE GREATESTS OR PREFERED MASTERS OF THE ART, only with this he claims that is enough to keep a constant learning until the end of his existence.

 

EXPOSITIONS

 

TYPE OF EXPOSITION

GALLERY

YEAR

PLACE

COLLECTIVE

GALERIA ROSANO

1975

MEXICO CITY

COLLECTIVE

GALERIA ROMANO

1976

MEXICO CITY

INDIVIDUAL

GALERIA NUZKAYA

1977

MEXICO CITY

COLLECTIVE

GALERIA ROMANO

1978

MEXICO CITY

COLLECTIVE

GALERIA ROMANO

1979

MEXICO CITY

COLLECTIVE

GALERIA ROMANO

1980

MEXICO CITY

INDIVIDUAL

GALERIA ROMANO

1981

MEXICO CITY

INDIVIDUAL

GALERIA ROMANO

1983

MEXICO CITY

INDIVIDUAL

GALERIA PRIVADA

1986

MEXICO CITY

COLLECTIVE

GALERIA ROMANO

1986

MEXICO CITY

COLLECTIVE

GALERIA ROMANO

1990

MEXICO CITY

COLLECTIVE

GALERIA ROMANO

1990

MEXICO CITY

COLLECTIVE

GALERIA ROMANO

1991

MEXICO CITY

COLLECTIVE

CENTRO DE CONVENCIONES HOTEL LA CAVA

1991

TEQUISQUIAPAN, QUERETARO, MEXICO

COLLECTIVE

GALERIA ROMANO

1991

MEXICO CITY

INDIVIDUAL

MUSEO CASA CARRANZA

1991

MEXICO CITY

INDIVIDUAL

CENTRO CULTURAL DE TEQUISQUIAPAN

1991

TEQUISQUIAPAN, QUERETARO, MEXICO

COLLECTIVE

GALERIA ROMANO

1991

MEXICO CITY

SUBASTA

MUSEO CASA CARRANZA

1991

MEXICO CITY

INDIVIDUAL

GALERIA DE ARTE FORESTA

1992

MEXICO CITY

INDIVIDUAL

CENTRO CULTURAL DE TEQUISQUIAPAN

1992

TEQUISQUIAPAN, QUERETARO, MEXICO

COLLECTIVE

INSTITUTO MEXICO

1992

MEXICO CITY

INDIVIDUAL

GALERIA DE ARTE FORESTA

1993

MEXICO CITY

COLLECTIVE

CASA DE LA CULTURA DE TLALPAN DDF

1994

MEXICO CITY

COLLECTIVE

FUNDACION PARA LA PROMOCION HUMANA I.A.P.

1995

MEXICO CITY

INDIVIDUAL

GALERIA RULFO

1997

TEQUISQUIAPAN, QUERETARO, MEXICO

INDIVIDUAL

CLUB DE RAQUETA BRITANIA

1997

MEXICO CITY

SUBASTA

HOTEL PRESIDENTE INTER CONTINENTAL MEXICO

1997

MEXICO CITY

INDIVIDUAL

LAS BODEGAS DEL MOLINO

1997

PUEBLA CITY, MEXICO

COLLECTIVE

COLEGIO OXFORD

1998

MEXICO CITY

SUBASTA

HOTEL PRESIDENTE INTERCONTINENTAL MEX.

1998

MEXICO CITY

COLLECTIVE

MUSEO DEL CARMEN INAH  CONACULTA

1998

MEXICO CITY

 

INDIVIDUAL

REAL CLUB ESPAÑA A.C.

1998

MEXICO CITY

COLLECTIVE

GALERIA EL CHISME

1999

MEXICO CITY

INDIVIDUAL

FORO CULTURAL QUETZALCOÁTL, DELEG. XOCHIMILCO

1999

MEXICO CITY

COLLECTIVE

CENTRO UNIVERSITARIO CULTURAL

2000

MEXICO CITY

INDIVIDUAL

RESTAURANTE EL HABANERO

2000

MEXICO CITY

INDIVIDUAL

UNIVERSIDAD TECNOLÓGICA DE LA CIUDAD DE MÉXICO (UNITEC)

2001

MÉXICO STATE AND MEXICO CITY (CAMPUS ATIZAPAN, CUITLAHUAC AND MARINA)

 

Updated only until March 2001.

  

1.- Painting studies in figurative style in a self-taught way.

 2.- Assesment by the master Francisco Suarez Olvera.

 3.- Free workshop courses in ACADEMIA DE SAN CARLOS at UNAM, Mexico with master Jorge Chuey.

 4.- Free workshop courses in private level constantly.

 5.- Painting styles studies of european and mexican painters from 1800 to 1900.

6.- Drawing and painting master in private level on his own workshop courses conforming the “ATENEO SOTO” from 1991 to 1998.

7.- Certification as qualifier jury in the regional painting contest with subject “CAFÉ Y PAISAJE” celebrated in Coatepec, Veracruz on October 1st 1993.  Sponsored by CA.DO.  SA de CV.

8.- Two times consecutive winner of the 1st place in “THE CHARCOAL PAGE” celebrated in the World Wide Web on March 10th and April 4th in 1997 (http://www.interrouse.com/charcoal_page/foyer.htm).